Thursday, 22 November 2018
Thursday, 31 August 2017
Uniformagazine No.10 Summer 2017
The Summer issue of Uniformagazine is just released by Uniformbooks.
Uniformagazine No. 10 has contributions by herman & susanne de vries, Tom Benson, Ian Waites, Helen Douglas & Telfer Stokes, Heinz Gappmayr and others.
21.4 x 14.5 cm, 32 pages, published in an edition of 500. ISSN 2056-6301
The photographs of herman & susanne de vries of die wiese (the meadow) are supplied by Peter Foolen and from the publication herman de vries & susanne de vries – die wiese / the meadow / eschenau 1986-2013, published by Peter Foolen Editions and Lecturis in 2013
Uniformagazine is published quarterly by
Uniformbooks
7 Hillhead Terrace
Axminster
Devon EX13 5JL
England, UK
www.uniformbooks.co.uk
Tuesday, 2 April 2013
Wednesday, 24 October 2012
Tom Benson – Subject to Change
Tom Benson
Subject to Change
27 October – 1 December 2012
Hidde van Seggelen Gallery
2 Michael Road
London SW6 2AD
www.hiddevanseggelen.com
Saturday, 21 January 2012
Abstractions – Laure Genillard
Friday, 16 December 2011
Thursday, 19 November 2009
Tom Benson – publications 2005/2007



3 publications by Tom Benson
Tom Benson – Philadelphia exhibition




Tom Benson – Paintings*
The colors, shades, and halftone prints that make up Tom Benson’s modestly scaled, mostly monochromatic paintings are so appealing - even magnetic - that it’s easy to appreciate them simply for that. The British artist’s scarlet, lemon yellow, black, indigo, pale pink, and white paintings and black-and-white halftone prints in ink and paint seem to hover in the spartan whiteness of Larry Becker Contemporary Art.
But Benson’s paintings are also intended to prompt a deeper examination of themselves, such as the ways in which his works are affected by changing light conditions; their paint application; the density of pigment (or pigments) in a particular hue; and the nature of the work’s support (Benson paints on aluminum panels, aluminum-and-mahogany panels, and acetate). Look carefully, and the paintings change according to your changing perception of them.
The gallery has three small books on hand that were published to accompany past Benson exhibitions; they explain his choices and uses of various pigments, and it’s well worth asking to look at them for their detailed explanation of his practice. Then again, the works speak quite eloquently for themselves.
text by Edith Newhall for The Philadelphia Inquirer, 1 November 2009
photographs courtesy Tom Benson & Larry Becker Contemporary Art
Tuesday, 18 August 2009
Tom Benson – exhibition Düsseldorf
30 August – 6 September 2009
info and opening times:
Ateliers Höherweg eV










