Ingleby Gallery, Edinburgh, will be presenting works by Richard Forster and Peter Liversidge at Art Nova, Art Basel | Miami Beach, 3 – 6 December 2009
Thursday, 26 November 2009
Peter Liversidge – Miami and Edition
Ingleby Gallery, Edinburgh, will be presenting works by Richard Forster and Peter Liversidge at Art Nova, Art Basel | Miami Beach, 3 – 6 December 2009
Tuesday, 24 November 2009
Hamish Fulton – Häusler Contemporary, München
Hamish Fulton – Chomolungma
27 November 2009 – 30 January 2010
Häusler Contemporary München
Maximilianstrasse 35
D – 80539 München
www.haeusler-contemporary.com
exhibition with recent works by Hamish Fulton related to his Mount Everest expedition earlier this year (see post of 23 May 2009: Hamish Fulton on summit Mount Everest)
Saturday, 21 November 2009
Vanderbilt Fine Arts Gallery, Nashville
The Vanderbilt Fine Arts Gallery in Nashville has a new home, the newly renovated and expanded historic Cohen Memorial Hall.
In 2004 I made the exhibition Far from the sea: October Foundation 1998 – 2003 (25 March – 20 May 2004) at the Vanderbilt Fine Arts Gallery (see my post on 10 March 2009).
Among other exhibitions there was Chris Drury – Inside out, Outside in at the gallery in 2006. Related to this exhibition Chris Drury made the permanent installation Star Chamber at the grounds of the Dyer Observatorium, Vanderbilt University, Nashville (see: www.vanderbilt.edu/gallery/events.html).
The Vanderbilt University Fine Arts Gallery has a collection of prints published by October Foundation. And an important collection of polaroid photograhs by Andy Warhol.
A recent survey of the collection – from Old Master paintings and drawings from the Renaissance, 17th and 19th Century to Modern Art with artists like Robert Rauschenberg and John Chamberlain – is now to be seen in the exhibition Eye & Mind; A Legacy of Art Collecting at Vanderbilt University (1 October – 17 December 2009)
Thursday, 19 November 2009
Tom Benson – publications 2005/2007
3 publications by Tom Benson
Tom Benson – Philadelphia exhibition
Tom Benson – Paintings*
The colors, shades, and halftone prints that make up Tom Benson’s modestly scaled, mostly monochromatic paintings are so appealing - even magnetic - that it’s easy to appreciate them simply for that. The British artist’s scarlet, lemon yellow, black, indigo, pale pink, and white paintings and black-and-white halftone prints in ink and paint seem to hover in the spartan whiteness of Larry Becker Contemporary Art.
But Benson’s paintings are also intended to prompt a deeper examination of themselves, such as the ways in which his works are affected by changing light conditions; their paint application; the density of pigment (or pigments) in a particular hue; and the nature of the work’s support (Benson paints on aluminum panels, aluminum-and-mahogany panels, and acetate). Look carefully, and the paintings change according to your changing perception of them.
The gallery has three small books on hand that were published to accompany past Benson exhibitions; they explain his choices and uses of various pigments, and it’s well worth asking to look at them for their detailed explanation of his practice. Then again, the works speak quite eloquently for themselves.
text by Edith Newhall for The Philadelphia Inquirer, 1 November 2009
photographs courtesy Tom Benson & Larry Becker Contemporary Art
Wednesday, 18 November 2009
Roger Ackling – Another Function, Japan
Richard Long – Rhine Driftwood II
Richard Long – Throwing Snow into a Circle
Richard Long – Rhine Driftwood
Rémy Zaugg
The first time I saw the work of Rémy Zaugg was his exhibition A Sheet of Paper at the Van Abbemuseum, Eindhoven, organized by Rudi Fuchs in 1984 (with a beautiful catalogue designed by Walter Nikkels). After inviting him in 1996 for the project and exhibition Travaux Publics [Public Works] I met him during the installation of his exhibition The Work's Unfolding at the Kröller-Müller Museum, Otterlo, in 1996 to talk about his work and a print for this project.
Rémy Zaugg – Antwerp, 2000
Rémy Zaugg – Travaux Publics II
Rémy Zaugg – Travaux Publics
Rémy Zaugg – GRAUW / BEELD / BLIND
Tuesday, 17 November 2009
Rémy Zaugg – Not Here
Rémy Zaugg – NOT HERE
Rémy Zaugg – etching 1996
Monday, 16 November 2009
Susan Krejzl – etching 2009
Small Publishers Fair London 2009
This years Small Publishers Fair in Conway Hall, Red Lion Square, London, was busier then ever. More participants and a large crowd of visitors. We had a nice time with many old friends and new visitors at my stall. We stayed with William Allen in London, who also had a table next to us, selling rare publications of Ian Hamilton Finlay, Richard Long and Fluxus material. Among the visitors were Ian Whittlesea, Tom Benson, Susan Krejzl, Philip Lumai, Harry Gilonis and Gladstone Thompson. Carol Robertson and Trevor Sutton came over and took us to dinner.
Moschatel Press 2009
Sal Randolph – Free Money
Roni Horn – Whitney Museum, NY
Wednesday, 11 November 2009
John Gerrard – Hirshhorn Museum, Washington
The High Line, NY
The High Line
Lawrence Weiner – P.S.1
Lawrence Weiner – 360˚
Lawrence Weiner
CAUGHT BETWEEN SHIPS PASSING IN THE NIGHT, 1999
silkscreen on cotton, published by Gallery 360˚, Tokyo
JCJ Vanderheyden
Flying back home from New York I took this photograph of the morning view from the airplane window. When I see images like this I always have to think of JCJ Vanderheyden, who used often photographs of these views of the sky and earth in his work.
Karl Gartung & Laurie Clark – Speak
Among my visitors at the E|AB Fair were Robert Barry and Pétur Arason & Birta Gudjónsdóttir (from Reykjavik visiting the opening of the exhibition of Roni Horn on 6 November at the Whitney Museum), but also Karl Gartung of the Woodland Pattern Book Center in Milwaukee. He gave me this beautiful publication with a drawing by Laurie Clark on the cover.