Tuesday, 27 May 2014

LINTEL Vol 1 No 2 – Hannah Devereux


















LINTEL Vol 1 No 2 Hannah Devereux

LINTEL is a UK journal with work of contemporary artists and selections of texts, printed on heavy uncoated paper in A4 size.
LINTEL Vol 1 No 2 features six new beautiful drawings by Hannah Devereux and text selections adapted from 'An Introduction to the Study of Rock' by Lazarus Fletcher, published in 1909.

ISSN 2052-4544
210 x 297 mm, 32 pages, softcover
LINTEL Vol 1 No 2 is published in May 2014 by the Corbel Stone Press, run by Autumn Richardson and Richard Skelton in Cumbria, Northern England.
The Standard Edition is 500 copies plus a Special Edition of 6 copies.
available for sale at:

Richard Long – Lisson Gallery



Richard Long
23 May – 12 July 2014
Lisson Gallery
52-54 Bell Street
London NW1 5DA
www.lissongallery.com

photograph © 2014, Richard Long, Lisson Gallery
Richard Long – Four Ways, Delabole Slate from Cornwall, 490 x 498 x 58 cm

Brandon Ballengée – Seasons in Hell


























Brandon Ballengée – Seasons in Hell
16 February – 28 July 2014
Museum Het Domein
Kapittelstraat 6
6331 ER Sittard
The Netherlands

photographs by Peter Foolen © 2014, Brandon Ballengée, Museum Het Domein

Of over 5000 known amphibious species, no less than one third are known to be extinct or on the decline. They are the 'canaries' in their particular coal mines, indicating damage to their habitats – air and water, the mediums of their metamorphoses (and our own survival). Amphibian deformities were reported as far back as 250 years, but it was not until around 1995 that mass occurrences alerted the scientific community. Its concerns were picked up by the mass media, since frogs resemble human victims. Initially it was feared that chemical pollution was causing the birth defects, but now it seems more likely that chemical fertilizers may create better habitats for the snail-borne parasites that cause extra legs; pollutants like DDT can increase the rate at which some predators can capture tadpoles.

In the 2002 Ecoventions catalogue, Ballengée asked 'The BIG Question': "Why are there fewer amphibians?" Among the answers are habitat modification and loss, followed by emerging diseases (fungus, viruses, and perhaps those parasites), climate change, invasive species, pollution of all kinds, overcollection of amphibians for food and pets – "death by a thousand cuts," as Ballengée puts it.

from
Lucy R. Lippard – One by One: Brandon Ballengée's Malformed Amphibian Project (in the catalogue Brandon Ballengée – Malamp, the Occurrence of Deformities in Amphibians, The Arts Catalyst & Yorkshire Sculpture Park, 2010)

Saturday, 24 May 2014

Brandon Ballengée – Seasons in Hell / Danse Macabre



Brandon Ballengée
Danse Macabre

archival pigment print on Hahnemühle Photo Rag Bright White 310 gms
59,4 x 42 cm
printed by Peter Foolen
edition of 96 copies, signed and numbered
price € 125 until 25 May 2014, after 25 May the price will be € 150

This print by Brandon Ballengée will be sold at Museum Het Domein, on the occasion of the exhibition of Brandon Ballengée. The benefits of the sales of this print will go to the research and adoption of the fire salamander which is disappearing very rapidly in the South of Holland – the place of a once stable population  –  due to a sudden disease caused by a new fungus, probably related by environmental and climate changes.

Brandon Ballengée – Seasons in Hell
16 February – 28 July 2014
Museum Het Domein
Kapittelstraat 6
NL – 6331 ER Sittard
www.hetdomein.nl
info@hetdomein.nl

Tuesday, 20 May 2014

Ian Whittlesea – Infra, London



Ian Whittlesea took part at Infra, an artistic research project devised by Anna Gritz and Fatos Ustek, inspired by Marcel Duchamp's observations on the infra-mince.
For more info see:
http://www.ianwhittlesea.net/exhibitions_pages/ex_INFRA/ex_INFRA.html

Closing Event & Publication Launch (a set of 58 cards)
31 May 2014
5-8 pm
Westminster Reference Library
35 St. Martin's Street
London WC2H 7HP

Ian Whittlesea – Foam at Project/Number, London



Ian Whittlesea is taking part at the project Foam by Mat Jenner at Project/Number, London, an expansive artwork and commissioning platform presenting 100 one-off 12" dub plate records by over 100 artists. Ian Whittlesea is one of the 10 artists selected by Tamsin Clark.
24 May – 13 June 2014
PV on Friday 23 May, 6-9 pm
Project/Number
10 Cazenove Road
London N16 6BD
www.ffooaamm.org
www.projectnumber.org

image © 2014 Ian Whittlesea – Becoming Invisible, label for one off 12" black dub plate record

Ian Whittlesea – A Little Patch of Yellow Wall...



Ian Whittlesea
was part of the group exhibition
A Little Patch of Yellow Wall...
curated by Jane Bustin
26 April – 17 May 2014
Lion and Lamb
46 Fanshaw Street
Hoxton
London N1 6LG
http://www.lionandlambgallery.com

Fiona Banner – Stanley Picker Lectures ICA / Peer, London



Fiona Banner will give a talk at the ICA, London,
on occasion of the Stanley Picker Lectures
on Friday 23 March 2014 at 6.30 pm
Nash and Brandon Rooms
£ 5, free to ICA members, concessions & students
http://www.ica.org.uk/whats-on/stanley-picker-lectures-fiona-banner
Institute of Contemporary Arts
The Mall
London SW1Y 5AH


Fiona Banner
Mista Kurtz – He Not Dead
A Collaboration with the Archive of Modern Conflict featuring images by Paolo Pellegrin
5 June – 26 July 2014
Peer
97 & 99 Hoxton Street
London N1 6QL
www.peeruk.org

© Photo: Paolo Pellegrin, commissioned by Fiona Banner in collaboration with the Archive of Modern Conflict

Chohreh Feyzdjou – Unedited History, Iran 1960-2014





Chohreh Feyzdjou (1955-1996) is presented in the exhibition

Unedited History, Iran 1960-2014
16 May – 24 August 2014
Musée d'Art Moderne de la Ville de Paris
11 Avenue du Président Wilson
75116 Paris

the exhibition is curated by Catharine David, a.o., see for other participating artists and contributors:
http://www.mam.paris.fr/en/expositions/exposition-unedited-history

Kees de Kort – Hersenschrift






Kees de Kort – Hersenschrift
a notebook with 'brain drawings' by Kees de Kort, published by Peninsula Foundation, Eindhoven, in 1993.
20 pages, 21 x 15 cm
laser copy, ballpoint, pencil.
The drawings were reproduced in an old German notebook and titled with ballpoint by the artist and coloured with pencil by Kees de Kort and some friends.
Edition of 150 copies, numbered and signed on separate colophon sheet.

9 copies left, price  € 15